Writing Tips: ‘See and Hear’ Your Characters

The Glass Bridge (Bell Mountain, #7) by Lee Duigon

Does a writer “see” what he’s writing about? Do you “hear” your characters when they speak?

I think you have to. Sometimes the only way I can make a character come alive for me is to find an actor to play him in an imaginary movie that would make me rich if it were real. I could not get one of my Bell Mountain villains, Lord Chutt, until I imagined him being played by British actor John Nettles (Midsomer Murders). I don’t know why, but it seems I have to do this with all my villains: Claude Raines as Lord Reesh, Vincent Price as Goryk Gillow. Once I have them cast with actors, then I can see and hear them in my mind.

Sometimes you don’t find the right actor until after you’ve tried several. This reminds me of something Charles Laughton once said: he couldn’t play a part convincingly until he “found the man” somewhere in real life. Who knew novel-writing and play-acting had this in common?

After a little while, the character is established and can go on to speak and act as if he were a real person with his own agenda. My characters do that all the time. They enter the story to do a minor job within the plot and next thing I know, they’re regulars with a lot of jobs to do. It’s part of the fun you have in writing fiction.

If you really need a character to help carry the plot forward, try finding a movie actor to play him as you imagine his scenes in your story. Keep trying until you find just the right actor. And then the character and the plot will do the rest.

 

Do I See It as I Write It?

That was what my wife asked me yesterday: “Do you see it as you write it? And do you hear the dialogue?”

The answer to both is yes. As the story unfolds, it’s like a movie playing in my head. I’d like to get some background music playing with it, too, but I haven’t yet mastered that facet of the art.

If I don’t see it, I reckon the reader won’t see it, either. I had some help with the lake monster from The Temple, pictured above: it’s really just the Liopleurodon from Tim Haines’ Walking with Dinosaurs, and I emailed artist Kirk DouPonce with the applicable clip from the movie. But I had to add the lake, the cliffs of Kara Karram, and King Ryons’ army reacting to the unexpected intrusion. Nothing to go on there but my imagination.

Kirk uses live models to pose as story characters on my covers. Because he takes the trouble to read the books before he goes to work on them, he sometimes paints a character exactly as I imagine him or her to be. I don’t know how he does that.

I watch a lot of movies and read a lot of books because it helps me to harness my imagination. In my mind, the characters that populate the stories are as real as Kirk’s models. Sometimes I find myself casting movie and TV actors to portray them; and when that works, it works really well indeed. Wes Studi as Ysbott the Snake. John Nettles as Lord Chutt. And so on–it really works. And it gets me cranked up to imagine and describe things and people that I haven’t seen in any movie. I can even see and hear Helki the Rod–and I don’t know of any actor that can play him.

Patty’s last question, though, isn’t quite so easy to answer: “When you’re seeing and hearing all these things, how do you come back?”

But we don’t have to worry about that until I start having trouble coming back.