Yesterday we looked at a review of an appallingly bad fantasy novel pitched to children.
Today’s mouldering pile of rubbish was marketed to adults.
Question! When in America did “mainstream” come to mean “completely outside the Christian world-view,” and how did we ever allow that to happen?
Christian fiction author T. Davis Bunn, with a string of best-sellers on his resume, decided a few years ago to write “a wholly secular fantasy”, Emissary, under the pseudonym of Thomas Locke; and a major Christian publisher decided to publish it.
Emissary contained every fantasy cliche known to man; it was a veritable thesaurus of cliches. Why in the world do fantasy writers do this??? I mean, it’s “fantasy,” right–and that means it’s supposed to be imaginative. Like, what is the freakin’ point of a thoroughly unimaginative fantasy? Why bother to write it? Why bother to read it? If you’re an experienced fantasy reader, you’ll already know precisely what sort of characters will appear in the story, you’ll know exactly what they’ll say and do on any occasion, and the only surprise you’ll ever get is if you drop the book and fall out of your chair trying to pick it up. If you even bother.
Also, many of these fantasy cliches, in addition to their thorough predictability, are basically pagan–not “Christian” in any sense of the word. Why did Mr. Bunn waste his talents on such bilge?
Fantasy matters because it has access to regions of the heart and mind not easily explored by other kinds of stories. It matters because it ought to be included in Christ’s Kingdom and put at the service of that kingdom, not reserved as a province of neo-paganism.
And I wonder if Mr. Bunn just stopped caring about such things.