If your characters don’t connect with your readers, your book won’t work, your story will fall flat.
I introduced the fierce old Abnak sub-chief, Uduqu, in Book No. 2, The Cellar Beneath the Cellar. I liked him and kept him around. And in Book No. 7, The Glass Bridge, he took part in a desperate battle.
I won’t forget how my wife and my editor reacted when they thought I’d killed off this character. They were about ready to scalp me. Sheesh, what was I thinking! But they only had to read a few more paragraphs before they learned Uduqu was all right, after all.
There are characters who walk into the story just to do some little thing and then wind up staying to do a lot of things, and growing, and getting you attached to them. With 12 Bell Mountain novels published so far, there are of necessity an awful lot of characters.
Why am I talking about this when I have to crank out a Newswithviews column? Oh, I don’t know. Do I feel a need to justify populating my books with all those characters?
Well, heck, it’s a history–like Livy’s history of Rome. Count up all the characters in Livy sometime. True, the history of Obann, in my books, is fictional. Some uncharitable souls have said the same of Livy. Not to mention Geoffrey of Monmouth, and Herodotus. I guess if you don’t like their histories, you won’t like mine, either. But there’s something to be said for a book that’s stayed in print since 400 B.C.
[Confidential to “Unknowable”: I hear you, brother!]
