Book Review: ‘Ancient Voices’ by Allison D. Reid

I have taken a shine to these books. Ancient Voices: Into the Depths is Book 2 of the Wind Rider Chronicles, the sequel to Journey to Aviad. Regular readers of this blog will know Allison Reid better as “Weavingword.”

Why do I like these books? Let me count the ways.

First and foremost, they are refreshing! Imagine that–a fantasy adventure series without lusty tavern wenches, The Invincible Female Warrior, the brawny barbarian who can copulate all day and then get up and fight a battle, know-it-all elves, crusty-but-benign wizards–I mean, imagine a fantasy populated by characters who are normal people! We don’t even have to suffer through scenes of heroes getting off wisecracks and zingers as they march light-heartedly into mortal peril.

This is downright revolutionary.

And because all these characters are normal, the reader will find it easy to believe in them. I like these folks! I really do. I especially like the two protagonists: sisters, Morganne, a young woman, and Elowyn, a girl passing into womanhood. Morganne is a seamstress by necessity and a scholar by avocation; Elowyn’s passion is the woodlands. They have gotten through some hard traveling–not by magic or by secret martial arts, but by faith, loyalty, and love.  It would be hard not to like them.

Then there are the settings. Reid does take her time setting the scene, but the end result is a fantasy world that really does seem real. So you’ve got real people living in real places. I feel as if I’ve actually been there.

Now, Ancient Voices is a sequel, and reading Journey to Aviad first would be pretty much indispensable. Ancient Voices tells of a year in the little town of Minhaven, between the sea and the wilderness, the place where Morganne and Elowyn have sought refuge.

If I have any criticism of this book, it’s that the story would benefit by a bit more action. That’s just my personal opinion. But as I see it, Ancient Voices is very much a way station in a much longer narrative. I did enjoy settling down there for a while–this is a very companionable book, just the kind you want for reading in bed.

I will certainly read the next book in the series.

These books are independently published, which means the author herself had to do all the work of editing. Speaking for myself, I am so glad I don’t have to do all the editing of my own books. It would never work. Professional editing by someone other than the author would do much for these books–and I’m talking about routine editing, gentle editing, not major rewrites.

I would love to see these books professionally published and the author paid for her efforts. But I would certainly rather have them published independently than published not at all.

They’re both available on amazon.com, and it’s my pleasure to recommend them.

It’s not easy to make up people who don’t exist and have your readers responding to them as if they were real. It’s not easy to invent a fantasy setting that has an authentic feel to it–as if it were a real place, not just something cobbled together out of well-worn bits of older fantasies.

Allison Reid has done those things, and done them well. And she will do them better as she gains experience.

How to Write a Politically Correct Fantasy

Let’s face it: the way things are going, soon we won’t be allowed to write anything but politically correct fantasies.

Here are a few handy guidelines which, if followed, should keep you out of re-education camp.

Make sure the villain in your story belongs to no identifiable group of people, animals, plants, or extraterrestrial life forms. Your heroic fantasy/adventure novel must be a safe space for all, wherein no one ever feels threatened and no one’s feelings are ever hurt.

Do not describe any actions or events that anyone could possibly construe as threatening. Your exciting heroic fiction should contain no violence of any kind, no scenes of strenuous activity that could be construed as ableism, and no heated dialogue. Keep it all chilled.

Conflict is psychologically unsettling, so have no conflict in your story. Let’s face it: if somebody wins, then somebody else loses, and that somebody’s feelings are going to be hurt. It’s best to avoid conflict altogether. If your story must describe any kind of contest or competition, make sure you show each and every character as a winner. Kind of like when your kids were little and everybody got a trophy or a ribbon just for showing up–and a heartfelt “Good job!” to go with it.

For absolutely the best results, leave all your pages blank. Yup, don’t write anything at all. Unless, of course, someone else finds your silence offensive and hurtful. Then you’ll have to say something, which someone else again will experience as a microaggression on your part, and probably that’ll make you feel bad because you didn’t mean it, and your apology only makes things worse, and oh I don’t know what to do, I don’t know what to do! Eeeeyaaah…

[transmission interrupted]

I’ve Begun My Next Book: ‘The Throne’

Yesterday I began writing the ninth book of my Bell Mountain series, tentatively titled The Throne.

I must confess to a little stage fright. I do know how the story starts; but where it’ll take me from there, only God knows. And having just finished reading No. 7, The Glass Bridge, and proof-reading No. 8, The Temple, I found myself wondering, “Can I do this again? Really? Is there more of this magic in me?” Only it’s not magic. It’s the gift of God. I’m not smart enough to create this stuff without Him.

I’d tell you what the book’s about, except I don’t know but the very first part of the story yet, and I wouldn’t want to throw out spoilers, and if you haven’t read any of the other books in the series, what sense would it make to you?

Meanwhile, the weather’s right, the birds are busy, the bees have arrived, and I just couldn’t stay away from the work any longer.

Tally-ho and away we go!

P.S.–Ignore the sign. I don’t write myself into the story, and I have no plans to write any of you in, either.