Setting the Scene

The Golden Skull: Rick Brant # 10 by Blaine, John: Very Good - Hard Cover  (1954) First Edition. | John Thompson

My allergies are annihilating me today. Maybe if I sit outside with a cigar and read The Golden Skull, I’ll find some relief–or at least the illusion thereof.

I don’t know how many times I’ve read this book since I was a boy. I started re-reading it yesterday–and the author’s ability to set the scene just blew me away! He wants you to imagine you’re in the Philippines, and so he puts you there. Effortlessly! Without slowing down the story, without any sense of padding, he smoothly introduces one detail after another… and next thing you know… you’re there.

This is technique of a very high order. Few storytellers can match it.

“John Blaine” was a pseudonym for Hal Goodwin, whose “Rick Brant science adventure” stories helped light up my childhood. And I still admire them today.

If you want to write novels, you can learn a lot from these books. I stand in awe of Goodwin’s ability to seamlessly insert details of the scene into the plot. His book is like a smoothly-running conveyor belt.

I keep on studying these. I learn from my favorite authors. That’s where the learning is.

Can’t We Tell Stories Anymore?

117 Family Campfire Camping Storytelling Stock Photos, Pictures &  Royalty-Free Images - iStock

The stories we heard around the campfire at Y Camp in the 60s were better than today’s movie scripts.

The art of storytelling is as old as humanity itself. So what gives with all these current movies in which the story just totally falls apart in the last 30 minutes of the film? Like the writers have no idea how to end it?

How do you learn to tell a story? You listen to stories, you read as many as you can, and you imitate the ones you like. But if hardly anyone is reading anymore, who’s left who knows how to tell a story?

I’m tired of movies that promise much and wind up delivering nothing. We watched a film called A Cure for Wellness (2016), supposedly a psychological thriller about goings-on at a pricey, innovative wellness center somewhere in the Swiss Alps. Exquisitely filmed, well-acted… and we aborted the final 15 or 20 minutes of it because the writers had thoroughly lost the thread of the story and tried to make up for it with graphic sex scenes. And it was a long movie, too: we’ll never get those hours back.

The same thing happens with a lot of new movies: they just can’t wrap up the story. It’s like it only ends because they couldn’t buy more film. I have already deleted most of the titles from my mind. Not worth remembering!

I put it down to a shortage of reading. Nobody’s reading cogent stories anymore, so no one knows how to write one. And I suspect it’s going to get worse before it gets better–if it ever does get better. Can we only watch old movies anymore? Is there any way we can force today’s screenwriters to watch them?

We used to know how to tell a story. Now it seems we don’t. What a loss that is! And dumbing down the public is no way to keep a country running.

‘A Treasure Rediscovered’ (2013)

See the source image

Wow! Here’s one of the illustrations from the edition I had! Never thought I could see these pictures again, just by asking the search engine.

Don’t you love it when something from your childhood, revisited many years later, turns out to be every bit as wonderful as you remembered it? For me it was The Jungle Books by Rudyard Kipling.

A Treasure Rediscovered

Pure storytelling by Kipling–almost a lost art, these days.