
You know you’re on a roll as a storyteller if you introduce a minor character who grows into a major character before you can say boo.
The thing is, all your characters have to seem real–especially to you, the writer. The most common failing that makes bad literature bad is the writer using the central character as a larger-than-life wannabe of himself or herself, and all the other characters just scuttle around like roaches: they’re not important.
Nor does it hurt to have strong feelings about your fictional characters… as long as it doesn’t get out of hand, of course.






![The Cellar Beneath the Cellar (Bell Mountain, 2) (Bell Mountain Series) by [Lee Duigon]](https://m.media-amazon.com/images/I/51fPPSpV78L.jpg)